邮轮上的戏曲之约：吴淞口的独特航次

吴淞口国际邮轮港一次独特的戏曲主题航次，众多戏曲名家携家带口参与其中，乘客们被戏曲吸引而来，航次上有着丰富的戏曲相关活动，还涉及到戏曲名家的故事以及越剧传承等多方面内容。

After five days and four nights of cruising at Wusongkou International Cruise Port, passengers disembarked at the dock yesterday. Familiar melodious tunes lingered in their ears. Zhao Zhigang, the "Prince of Yue Opera", on the same ship, sang about the magnificent scene of "starting a new journey in the Year of the Snake" in the opera singing style, bringing a perfect end to this cross - year sea journey. Not only Zhao Zhigang, but also many opera masters such as Liang Weiping, Jing Lanying, Qiu Tingyu and Fei Xinping brought their families to cruise on the sea. Many passengers came precisely for them.Just before the Spring Festival, the "Gulangyu" ship officially announced a opera - themed voyage, covering Jeju in South Korea and Fukuoka in Japan. Before extensive publicity, this voyage sold out like hot cakes. A passenger said it was like an "online fan meeting" with an opera theme. From the Sea Pear Garden Salon, amateur singer competitions to the New Year's Eve dinner on the sea, in various interactive spaces, the distance between the "stars" and "fans" was shortened.It is introduced that before the Spring Festival, the "Gulangyu" cruise ship exploring the new model of "cruise + culture", and Wusongkou Cultural Tourism Group happened to meet Zhao Zhigang, a veteran cruise passenger. The three parties talked about the innovation of cruise service content and cultural going - overseas, and hit it off immediately. They decided to have a opera - themed voyage in the Year of the Snake. "The cruise ship is a unique interactive space, and passengers often'meet at the bow or the stern'." He expected that he could still interact cordially with these opera fans after this voyage.An old opera fan boarded the ship with newspapersIn the center of the circular stage, Zhao Zhigang, who had taken off his costume, was dressed in black casual clothes. The atmosphere was relaxed and pleasant, as if chatting with friends. The auditorium was full, and from time to time someone took pictures with a camera.The first activity of the sea cruise was an opera fan meeting. Zhao Zhigang first disclosed some fragments of his recorded "Golden Fifty" album and shared the creative process behind the scenes.This album contains Zhao Zhigang's classic works and also outlines his hardships along the way. When he was young, because his appearance and voice were not outstanding, he was assigned to study Laosheng (an old - male - role type in opera) and sat on the bench for many years. After emerging, he was troubled by the fact that all the well - known Yue Opera schools were created by actresses, and it was difficult to find his own position. Through continuous thinking and improvement, he finally created the "Zhao - style singing"."It's really not easy!" Xi Huiliang, an 80 - year - old opera fan, still treasures a photo of the "Ten Sisters of Yue Opera". He cut it from an old newspaper. The newspaper has turned yellow, but the smiles of the Yue Opera sisters in cheongsams are still there. In the golden age of "female Yue Opera", Xi Huiliang clearly remembered Zhao Zhigang, this suddenly emerging male young - male - role actor, with a soft voice and gentle tunes.Perhaps because of this remembrance, when his granddaughter asked Xi if he would like to cross the New Year on the cruise ship tentatively, he readily agreed.A young audience, immersive "close - up opera watching"Hearing that there was an amateur singer competition on the ship, Zhang Bingxuan, who was only ten years old, was eager to have a try.The young boy has not fully understood the profound cultural implications of Yue Opera yet. But his elders are opera fans, and under the influence of his family since childhood, he also knows well opera masters such as Zhao Zhigang. Once, when the whole family returned to Shanghai from Wenzhou and stopped in Shengzhou, Shaoxing, at that time, Zhang Bingxuan, who was only 6 years old, listened to an excerpt from "Five Daughters Offering Birthday Felicitations" in this Yue Opera town. The magnificent "ancient theater building" with a well - arranged layout became his first impression of Yue Opera."Yue Opera inheritance requires more new faces and also needs to cultivate young audiences." On this voyage, Zhao Zhigang brought his newly - accepted apprentices on board, and thus he also more understood his master Yin Guifang's painstaking efforts back then.Yue Opera has been inherited for nearly a hundred years, relying not on unchanging stories, but on a keen, fashionable and open vision and magnanimity. Inheriting his master's will, Zhao Zhigang leads his apprentices to constantly seek new ways for traditional Yue Opera."Why not create an immersive Yue Opera with the cruise ship as the performance scene?" He found that young audiences especially pay attention to performance details. Every frown and smile of the actors will be recorded by the audience and "re - created" on social platforms. Even several of his newly - accepted apprentices have no fewer fans on social media.The immersive Yue Opera that is almost "close - up watching" can not only expand the Yue Opera audience but also increase the cruise ship's repurchase rate. In just five days and four nights of cross - sea New Year celebration, Zhao Zhigang led his apprentices to visit various small but beautiful performing arts spaces on the cruise ship, thinking about connecting Yue Opera with more new possibilities.The cross - sea New Year - welcoming voyage with opera as the theme has come to an end, but the "going - overseas" journey of Yue Opera has just begun.

吴淞口国际邮轮港的戏曲主题航次，众多戏曲名家参与其中。该航次销售火爆，航次中的活动丰富多样，拉近了戏曲演员和戏迷的距离。还讲述了戏曲名家赵志刚的成长历程、老戏迷的故事以及越剧传承面临的情况和新尝试等内容，最后强调越剧的“出海”之旅才刚刚开始。